Reconfiguring our conception – and use – of ‘waste’ is a theme running through Studio Swine’s work, which has seen them crafting chairs from aluminium cans in Brazil, and extraordinarily beautiful, tortoiseshell-like table-tops and other objects from human hair and bio-resin in China. They first became interested in ocean plastic after Alex heard a BBC Radio 4 programme about a previous Sea Dragon voyage from Brazil to South Africa through the South Atlantic gyre. On our current journey, as we lower the fish-mouthed trawls into the sea for the daily collection of plastic and plankton, we’re witnessing an intriguing, real-time intersection of science and art.