Sea Dragon slipped her mooring lines at 1230 this afternoon to start the latest Pangaea expedition, the Gyre to Gaia II, from Horta to Lanzarote in the Canaries. The distance is about 980 miles and should take us about 7 days.
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Project Ocean: Exploration to the Gyres
And this is what lies at the heart of Panagea Explorations, taking ordinary people out to sea, to witness and research the growing problem of marine plastic debris. And this is what lies at the heart of Selfridges’ exhibition also. A concept model of Sea Dragon is surrounded by five beautifully designed items, each of which are representations of the five ocean gyres, by artist duo Studio Swine.
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‘Missing plastic’ in the oceans: data collected on board Sea Dragon
We’re excited to see this piece on the vertical distribution of buoyant ocean plastics in The Conversation – ‘Missing plastic’ in the oceans can be found below the surface – which contains data collected on board Pangaea’s S.V. Sea Dragon by our partners at The Ocean Cleanup.
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eXXpedition: The Future, climate, and toxics
After our trawl work, we had a mission. We are supporting a campaign called The Future. This campaign is spreading awareness on climate change and telling our politicians “we are keeping an eye on you” by watching the political process and policies being created (or lack thereof). To represent The Future campaign, we encircled one eye with black or red makeup (eco-friendly) and took photos to share. We feel our mission of exposing toxics in our environment is connected to The Future’s mission, as well.
Read MoreStudio Swine and the Golden Machine
Reconfiguring our conception – and use – of ‘waste’ is a theme running through Studio Swine’s work, which has seen them crafting chairs from aluminium cans in Brazil, and extraordinarily beautiful, tortoiseshell-like table-tops and other objects from human hair and bio-resin in China. They first became interested in ocean plastic after Alex heard a BBC Radio 4 programme about a previous Sea Dragon voyage from Brazil to South Africa through the South Atlantic gyre. On our current journey, as we lower the fish-mouthed trawls into the sea for the daily collection of plastic and plankton, we’re witnessing an intriguing, real-time intersection of science and art.
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